Showing posts with label Design. Show all posts
Showing posts with label Design. Show all posts

Sunday, 30 October 2011

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show

The 2011 Frankfurt Motor Show is without question the biggest auto show in the world, in terms of distance hiked. We’re talking more than 2,000,000 square feet of convention floor space spread out in at least 11 buildings (though Audi built its own, separate 12th building, and there were tons of tiny SEMA-style shows tucked up into the rafters). Point is: Wear sensible shoes. One poor booth babe from Mazda had to march a bunch of us journalist types from one hall to another and got her spiked heel caught between cobblestones, thrice! The upside is all that marching leads to cars. Lots and lots of cars. Here are some thoughts on some of what I spied.

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show imagePorsche 911 (991)

The new 911, AKA the icon’s icon. My first reaction to seeing it in the flesh is, “Big!” The 991 simply strikes me as big. Wide, thick, long — but really just big. All two of the 991s I saw on the floor were sitting on massive 20-inch wheels that dwarf the relatively puny-looking brakes. Kim Reynolds said it much better and more articulately than I’ll ever be able to, but while the 991 looks good it really no longer resembles a 911. A claim that’s all the easier to make because Porsche thought to bring along the “Ur 911” from its museum. Looking at the 1963 original compared to its 2012 offspring, it’s plain a link is missing. The fact is, the 991 looks more like the Panamera than the OG 911. Is that sad, or does it matter at all? Dunno. Will it be any good to drive? Here’s hoping!

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show imageJaguar C-X16

The new Jaguar coupe is a little… fussy. I’m not sure how else to term it, but there’s a beautiful shape in there somewhere (it’s a proper Jag, there has to be) but the C-X16 has a lot of secondary visual noise grafted to it. It’s as if the actual, well-formed car is sitting atop an abstract expressionist plinth. For whatever reason, all the extra flutter seems to be affixed to the base of the body, giving me some hope that the busyness is just show car flair and that the production car can be de-fuss-i-fied by the time it hits showrooms. Here’s hoping, at any rate. I will say — in the parlance of the U.K. — that the front end is smashing. Worlds better than the 1996 Ford Taurus snout found on the XK.

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show imageHyundai i30

Here we have a good-looking car. I still remember seeing the current Sonata for the first time two years back at the L.A. show and not knowing quite what to make of Hyundai’s striking new design language, the ill-named “fluidic sculpture.” However, this here i30 – which we’ll be calling the Elantra Touring when it makes its way Stateside – is a wonderful take on the theme. I particularly like the headlamp and foglight treatment, which is more masculine and less childlike than on the sedan version of the Elantra. And really, at the end of the day, can we have too many station wagons? I think not.

Land Rover DC100 and DC100 Sport Concepts

Big bossman MacKenzie and I stood and stared at the new Land Rover concepts (DC100 three-door hardtop and the DC100 Sport, an open top version (pictured at top) for a good 30 minutes. We had a particularly unique view, as between us and the two concepts stood the ageless, indefatigable, and really just fantastic Defender 90. Looking at the two design proposals next to the hulking, carved-from-British-steel original, it became immediately clear (to paraphrase Lloyd Bensten) that they’re no Defender 90. The DC100 Sport falls into the will-never-be-more-than-a-show-car file, while the three-door hardtop comes off as what a Toyota FJ Sport would look like. I won’t name names, but a fairly high ranking Land Rover dude assured me and MacKenzie that these two are really “just concepts.” Phew.

Mazda CX-5

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show image

Now here’s a good-looking little crossover. If you remember all the way back to the Geneva show, you’ll remember the Mazda Minagi concept. Basically, the CX-5 is the Minagi, minus the show car rearview wing cameras and that long strip of chrome that ran around the front and bisected the headlights. Taller than the CX-7, but smaller, the CX-5 is a good and solid-looking entry into a very crowded and competitive field. The difference will be in the application of Mazda’s new SkyActive tech, which should meld great performance with high MPG – especially the diesel with the manual, which our own Todd Lassa said is the SUV you want now. Trouble is – at least in the U.S. – you (probably) can’t get it. Shame, that.

Maserati Kubang

Uh… no.

Peugeot HX1 Concept

Well, hello there! At the end of the day, I’m a sucker for any car that’s long, low, and sleek, with a huge amount of space between the wheels. And Peugeot’s HX1 people-mover delivers that sort of shape in spades. But more than that, this six-passenger minivan alternative shows off a nice smattering of smart thinking. First off, there’s active aero everywhere.

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show image

The headlights pop out to create drag coefficient lowering turbulence (0.31 cd to a slippery 0.29 cd). Beyond that, the funky wheels (my personal least favorite part) kick up some MPG-helping air. But the real active-aero highlight are the three spoilers found at the back of the roof. One sits up top, while the two others flank the D-pillars. Again, they not only help with reducing drag, but when you slam the brakes, they pop up Veyron-style to form a triple-blade air brake. Cool!

But that’s not all. Underneath the double (and suicide!) slanty gullwings sits a six passenger cabin. Two plus two plus two, with a twist. The middle row seats slide into the fronts seats when they’re not in use, giving the back row occupants Maybach-levels of legroom. This strikes me as particularly brilliant, because it doesn’t use up an ounce of floor space like a Stow’n Go type solution. Is it safe, legal? Who cares — pure concept! Great use of wood throughout, too. And this, friends, the Peugeot HX1, is why I love auto shows.

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show imageKia GT Concept

Not content to sit back and let kissing cousin Hyundai reap all the RWD Korean fun, Kia has taken the gloves off to give us the GT Concept, an extremely stylized four-door that should swim in the same water as cars like the Audi A7 and Mercedes-Benz CLS. Overall I like the design, though I’m curious to see what a de-blinged non-show car version looks like. I’m just not that into the front intakes that flank the headlights. The Aston Martin One-77 features similar venting, but on the uber-car Aston, those intakes actually go into the carbon-fiber frame and feed the intake plenums. Here? Brake cooling, maybe?

The GT Concept’s best angle is from the side, though I do see some cribbed notes from the Jaguar XJ. I’m fine with that because as Woody Allen says, if you’re going to steal, steal from the best. I also like the copper accents that start in the A-pillars and then trail down the roof because, hey, show cars are supposed to be adventurous. The back is nice and tidy, though perhaps a little too slabby. I do like the big diffuser, however. Still, it works better than the busy, insect-like nose. Will they build it? Time (or a very friendly company insider) will tell. That said, I hope the twin-turbo 390-horsepower V-6 makes it into something.

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show imageCitroen Tubik Concept

Look, if you love Citroens — the classic, awesome Citroens of yore — then your fancy was very much tickled by the hulking Tubik concept truck. Not only does it elicit warm fuzzies because of the resemblance to the tres hip Citroen H van, but it owes more than passing debt to the never-produced VW Microbus concept from a decade back, the one car Volkswagen really should’ve built. If you couldn’t care less about the distant past of European vanery, well, then the Tubik is not for you. As for me, I dig it, though I wish they’d spent a bit more time resolving the sides.

BMW i3 and i8

The first thing you need to do when looking at the i3 Concept is to imagine what it will look like with non-transparent doors. Do that and you’re left with quite a nice-looking city car. Especially as the global small CUV craze shows no signs at all of slowing down. The neatest attribute shared by both cars is the way the kidney grilles are three-dimensional, curving up and onto the hood. The effect is more dramatic on the larger i8 but it’s definitely present on the i3. Also, you’ve got to love the i3’s floating taillights. Reminds me of the ghosts from Pac-Man. I find the sleeker, sporty i8 much more attractive, and I also find it refreshing that it’s somewhat restrained. BMW could have slapped on 24-inch wagon wheels. They didn’t because A) they’re serious about their i sub-brand and B) they’re going to build this car. Just try and visualize what real doors will look like.

Marching Through Frankfurt: Design Thoughts on the 2011 Frankfurt Show image

There’s a load of clever design on hand with both cars, but the big take away is that while they don’t look like conventional cars, they don’t look preposterously far-fetched, either. The two represent a new milestone in production car materials. BMW had both the i3 and i8 concepts perched on a platform high above the rest of its products. I’m stealing this line from Moray Callum, but it was like looking at the future of the car, and then looking down on the past. The two concepts seem to be from a different century compared to the rest of BMW’s lineup. And peering into that future, these might be the two most significant cars of the entire show. Not so much for their electric powertrains, but because they just might usher in a new era of high-tech composite construction for the masses.


View the original article here

Monday, 17 October 2011

Pillars of Salt: Inflatable Roof Pillars Could Aid Future Design

It’s a pity the retro design craze seems to be petering out, because an enabler is just now emerging that would allow designers of the next generation of Camaro, Mustang, Challenger, T-Bird, Beetle, and others (a latter-day Citroen DS, please!) to recreate a key detail that has been impossible to achieve while meeting today’s roof-crush and offset frontal-collision standards: those delicate, easy-to-see-around roof pillars. Fat pillars lend a cartoonish, brutish mien to every retromobile out there.

The solution comes from an unlikely source — Swedish airbag supplier Autoliv — and, in fact, it leverages airbag technology. But instead of inflating a cloth bag, it inflates a folded steel tube that is integral to the vehicle’s body structure. Up until now, the only way to make a car capable of supporting one and a half times its weight on the roof (as required in 2012) was by giving all the pillars a thick, beefy section, and/or incorporating ultra-high-strength steel or carbon-fiber tubes in the pillars. But until you threaten to turn turtle, holding the roof up doesn’t require any more strength now than it did in the 1950s and ’60s.

Autoliv’s idea is to provide a slim, minimalist pillar until an accident is detected, then inflate a pleated steel tube so it expands to a large, strong section. This expansion pops the interior trim off, but should leave the outer surface and windshield undisturbed. The inflator uses a nitrogen-rich salt or chemical like those used to fill airbags, but generates an order of magnitude more force — 300 to 450 psi. The tube is made of 0.06-inch-thick steel that’s typical automotive-grade strength (58 kilos/square inch yield–high-strength steel is too brittle for this type of application). It’s welded closed on each end and weighs 3.5 ounces, representing a 10-percent weight savings. Cost is little more than the price of the inflators. Within 10 milliseconds of crash detection, the A-pillar expands from within its dainty 0.9-inch-wide pillar (a third the size of a typical modern pillar) to a stocky 2.9 inches wide. This increases the pillar’s stiffness by 45 percent. The unit will be replaceable after a crash.

Before inflation, visibility is said to be 25 percent better than in the average car. According to Dr. Bengt Pipkorn, project leader in Autoliv’s active body structures department, this research has been conducted in conjunction with Saab. He reckons the technology could be in production by 2020, but notes that (naturally) it has to be designed into the body structure from the outset–there’s no retrofitting such a gizmo into an existing design.

Body pillars are not the only potential applications for this technology. Mercedes-Benz displayed an inflatable side-impact door beam concept at the 2009 Frankfurt motor show that expanded into the space the door glass ordinarily drops into to increase door strength during a side impact. Another intriguing use Dr. Pipkorn described is a tunable front-end crush structure that would provide softer crash-rail performance in low-speed collisions, but inflate to become stiffer in high-speed collisions. This could be a boon for the coming wave of short-nose electric vehicles.

Here’s hoping this promising new technology helps usher out the hunkered-bunker era in favor of retro Futuramic visibility.


View the original article here

Wednesday, 20 July 2011

MINI launches Product Design Competition

In keeping with the brand’s “Creative Use of Space” philosophy, MINI is holding an international design competition to celebrate the launch of the MINI Countryman in suitable style. The competition invites creative people around the world to design potential tools for the unique MINI Centre Rail in the new MINI model.

The Centre Rail runs in a straight line between the seats of the Countryman, linking the front and rear of the interior, and offers a multifunctional platform on which to fix various travel items. Indeed, MINI has already come up with a range of clever attachments, such as sunglasses cases, cupholders, iPod docking stations and plenty more. The rail also offers handy stowage space in which to hide away charger leads for electronic devices like mobile phones and MP3 players. When it comes to using this new feature, creativity need know no bounds.


View the original article here

Wednesday, 13 July 2011

GM shuffles talent behind global vehicle design

Thursday, May 26th, 2011 @ 2:51 p.m.

One of General Motors’ most talented designers, Bryan Nesbitt, currently serving at the executive director for North American exterior design and global architecture strategy, has been given the go-ahead to move on up the corporate ladder at the automaker.

Nesbitt will now be serving as the vice president of GMIO design, which will relocate the designer from North America to Shanghai, China.

Part of the reason for the designer’s physical location being changed was the need to take the reigns of designing future vehicles for GM’s Chinese brands of Wuling and Baojun.

With Nesbitt leaving the U.S., GM will recall Ken Parkinson from the position Nesbitt will now be taking over, essentially switching roles for the pair. Parkinson will also be tasked with overseeing design for the Chevrolet brand.

The changes will take place as of August 1, 2011.


View the original article here

Thursday, 23 June 2011

GM shuffles talent behind global vehicle design

One of General Motors’ most talented designers, Bryan Nesbitt, currently serving at the executive director for North American exterior design and global architecture strategy, has been given the go-ahead to move on up the corporate ladder at the automaker.

Nesbitt will now be serving as the vice president of GMIO design, which will relocate the designer from North America to Shanghai, China.

Part of the reason for the designer’s physical location being changed was the need to take the reigns of designing future vehicles for GM’s Chinese brands of Wuling and Baojun.

With Nesbitt leaving the U.S., GM will recall Ken Parkinson from the position Nesbitt will now be taking over, essentially switching roles for the pair. Parkinson will also be tasked with overseeing design for the Chevrolet brand.

The changes will take place as of August 1, 2011.


View the original article here

Wednesday, 22 June 2011

GM shuffles talent behind global vehicle design

One of General Motors’ most talented designers, Bryan Nesbitt, currently serving at the executive director for North American exterior design and global architecture strategy, has been given the go-ahead to move on up the corporate ladder at the automaker.

Nesbitt will now be serving as the vice president of GMIO design, which will relocate the designer from North America to Shanghai, China.

Part of the reason for the designer’s physical location being changed was the need to take the reigns of designing future vehicles for GM’s Chinese brands of Wuling and Baojun.

With Nesbitt leaving the U.S., GM will recall Ken Parkinson from the position Nesbitt will now be taking over, essentially switching roles for the pair. Parkinson will also be tasked with overseeing design for the Chevrolet brand.

The changes will take place as of August 1, 2011.


View the original article here

Sunday, 22 May 2011

MINI launches Product Design Competition

In keeping with the brand’s “Creative Use of Space” philosophy, MINI is holding an international design competition to celebrate the launch of the MINI Countryman in suitable style. The competition invites creative people around the world to design potential tools for the unique MINI Centre Rail in the new MINI model.

The Centre Rail runs in a straight line between the seats of the Countryman, linking the front and rear of the interior, and offers a multifunctional platform on which to fix various travel items. Indeed, MINI has already come up with a range of clever attachments, such as sunglasses cases, cupholders, iPod docking stations and plenty more. The rail also offers handy stowage space in which to hide away charger leads for electronic devices like mobile phones and MP3 players. When it comes to using this new feature, creativity need know no bounds.


View the original article here

Wednesday, 4 May 2011

Chrysler: Frequent Design Changes Key To Sales Growth

If you're shopping for a new car and have a preference for Chrysler Group products, expect to see frequent model updates from Chrysler, Dodge and Jeep in the coming years. Ralph Gilles, head of design at Chrysler (and president & CEO of Dodge) believes that frequent styling changes may be the key to sales growth.

Going forward, Gilles expects Chrysler to have even more frequent design tweaks and updates, emphasizing more substantial mid-cycle product redesigns. Citing recent experience with cars like the 2011 Chrysler 200, Automotive News quotes Gilles as saying, “In some cases they acted like brand-new cars with a fraction of the investment.”

The Chrysler 200 had previously been called the Chrysler Sebring, a name consumers associated more with rental cars than with desirable mid-size sedans and convertibles. Thanks to an exterior freshening, suspension improvements, a new interior and a Super Bowl ad campaign featuring Eminem, Chrysler has seen sales performance from the 200 in the first quarter rivaling that of a new car launch.

Citing his experience throughout the Chrysler and Dodge product lines, Gilles went on to say, “We learned a lot from what we did with 16 products. Many of those were heavy, heavy refreshes, and it actually has done miracles.” You can see evidence of this in other Chrysler Group products, such as the newly refined interior in the 2011 Dodge Journey, or the new exterior styling of the 2011 Chrysler 300 and the 2011 Dodge Charger.

(Automotive News)



View the original article here

Thursday, 28 April 2011

MINI launches Product Design Competition

In keeping with the brand’s “Creative Use of Space” philosophy, MINI is holding an international design competition to celebrate the launch of the MINI Countryman in suitable style. The competition invites creative people around the world to design potential tools for the unique MINI Centre Rail in the new MINI model.

The Centre Rail runs in a straight line between the seats of the Countryman, linking the front and rear of the interior, and offers a multifunctional platform on which to fix various travel items. Indeed, MINI has already come up with a range of clever attachments, such as sunglasses cases, cupholders, iPod docking stations and plenty more. The rail also offers handy stowage space in which to hide away charger leads for electronic devices like mobile phones and MP3 players. When it comes to using this new feature, creativity need know no bounds.


View the original article here

Sunday, 24 April 2011

MINI launches Product Design Competition

In keeping with the brand’s “Creative Use of Space” philosophy, MINI is holding an international design competition to celebrate the launch of the MINI Countryman in suitable style. The competition invites creative people around the world to design potential tools for the unique MINI Centre Rail in the new MINI model.

The Centre Rail runs in a straight line between the seats of the Countryman, linking the front and rear of the interior, and offers a multifunctional platform on which to fix various travel items. Indeed, MINI has already come up with a range of clever attachments, such as sunglasses cases, cupholders, iPod docking stations and plenty more. The rail also offers handy stowage space in which to hide away charger leads for electronic devices like mobile phones and MP3 players. When it comes to using this new feature, creativity need know no bounds.


View the original article here

Saturday, 16 April 2011

MINI launches Product Design Competition

In keeping with the brand’s “Creative Use of Space” philosophy, MINI is holding an international design competition to celebrate the launch of the MINI Countryman in suitable style. The competition invites creative people around the world to design potential tools for the unique MINI Centre Rail in the new MINI model.

The Centre Rail runs in a straight line between the seats of the Countryman, linking the front and rear of the interior, and offers a multifunctional platform on which to fix various travel items. Indeed, MINI has already come up with a range of clever attachments, such as sunglasses cases, cupholders, iPod docking stations and plenty more. The rail also offers handy stowage space in which to hide away charger leads for electronic devices like mobile phones and MP3 players. When it comes to using this new feature, creativity need know no bounds.


View the original article here

Tuesday, 29 March 2011

MINI launches Product Design Competition

In keeping with the brand’s “Creative Use of Space” philosophy, MINI is holding an international design competition to celebrate the launch of the MINI Countryman in suitable style. The competition invites creative people around the world to design potential tools for the unique MINI Centre Rail in the new MINI model.

The Centre Rail runs in a straight line between the seats of the Countryman, linking the front and rear of the interior, and offers a multifunctional platform on which to fix various travel items. Indeed, MINI has already come up with a range of clever attachments, such as sunglasses cases, cupholders, iPod docking stations and plenty more. The rail also offers handy stowage space in which to hide away charger leads for electronic devices like mobile phones and MP3 players. When it comes to using this new feature, creativity need know no bounds.


View the original article here